"Black Eye: Graphic Transmissions to cause Ocular Hypertension"

Rotland Press' humor anthology inspired by Mad and Raw, but drier, stranger, and much more eclectic and indy. A great read. Out of print.

From the publisher:

With comics and art by Stéphane Blanquet, Ivan Brunetti, Lilli Carré, Max Clotfelter, Al Columbia, Ludovic Debeurme, Olivier Deprez, Nikki DeSautelle, Brecht Evens, Andy Gabrysiak, Robert Goodin, Dav Guedin, Gnot Guedin, Glenn Head, Danny Hellman, Paul Hornschemeier, Ian Huebert, Kaz, Michael Kupperman, Mats!?, Fanny Michaëlis, James Moore, Tom Neely, Mark Newgarden, Paul Nudd, Onsmith, Emelie Östergren, Paul Paetzel, David Paleo, Martin Rowson, Olivier Schrauwen, Stephen Schudlich, Robert Sikoryak, Ryan Standfest, Brecht Vandenbroucke, Wouter Vanhaelemeesch and Jon Vermilyea.

Original essays by Jeet Heer (on S. Clay Wilson), Bob Levin (on The Adventures of Phoebe Zeit-Geist), Ken Parille (on Steve Ditko) and Ryan Standfest (an interview with Al Feldstein and an essay on Panic!). Also includes "100 Good Reasons to Kill Myself Right Now" by Roland Topor, translated into English for the first time by Edward Gauvin.

"It has a good feel." —David Lynch, filmmaker and artist.

“For an anthology of scabrous sick humor, Ryan Standfest's BLACK EYE 1 sure is tastefully designed. The cover and paper stock are creamy and pleasant to the touch, an ideal platform for the black and white, graytone, or pencil-shaded art of the contributors. Its introduction, table of contents, and prose contributions come in an array of exquisitely curated typefaces from the mid-20th century. A triumvirate of top comics critics contribute essays — Bob Levin on Phoebe Zeit-Geist, Jeet Heer on S. Clay Wilson, and Ken Parille on Steve Ditko — of the sort that would animate the altcomix cocktail-party circuit, were there such a thing. Of all the publications to be seized by overzealous Canadian customs officers on guard against American obscenity recently, this one here's surely the most classiest.” —Sean T. Collins, The Comics Journal

Nominated for the 2011 Ignatz Award in the "Outstanding Anthology or Collection" category.