For The Jungle Book, visual effects supervisor Rob Legato brainstormed the realization of creatures and environments with MPC and Weta Digital, with the assistance of Digital Domain, Legacy Effects and Magnopus.

In Captain America: Civil War, special effects supervisor Daniel Sudick oversaw in-camera effects, with additional practical effects provided by special makeup effects artist Bart Mixon and artisans from Ironhead Studio, Legacy Effects and Quantum Creation.

For X-Men: Apocalypse visual effects supervisor John Dykstra and visual effects producer Blondel Aidoo marshal the creative forces of Digital Domain, MPC, Hydraulx, and Rising Sun Pictures.

In Alice Through the Looking Glass, Tim Burton and screenwriter Linda Woolverton began in their previous exploration of Lewis Carroll's fantasy classic, assisted by visual effects supervisor Ken Ralston and artisans at Sony Pictures Imageworks and Double Negative.

This came from the collection of Steve Sherman, a writer,artist, puppet-maker, puppet-performer, and avid collector. Steve worked as Jack Kirby's assistant, at Filmation, and Sid and Marty Krofft, before forming his own company Puppet Studio in 1984 contributing to "Pee-Wee's Playhouse", "Men in Black 1 & 2", "Mighty Joe Young", "Muppets" and numerous other TV series and feature films.