A Cinematic History of Conansploitation, from Conan to He-Man!

This crowdfunded edition is in English.

From the publisher:

Sharpen your axes and your two-handed swords! After celebrating the post-apocalyptic genre with After the World Ends, Pulse Video is proud to present you the brand new 256 page beautiful hardcover book by Claude Gaillard. It contains everything you need to explore Conansploitation from top to bottom. This cinematic genre, also known as Sword & Sorcery, born out of after the success of John Milius' Conan the Barbarian, takes Heroic Fantasy as its backdrop, but above all throws vengeful and muscular heroes into the mix. They're often mute colossuses with a taste for personal justice, that they -- more often than not delivered with a sword! Conan, Dar, Yor, Ator, Kane and the other barbarians of the '80s and '90s are the core of our new book, Barbarians, from Conan to He-Man.

Do you like movies about barbarians ?

The eighties was the era for Heroic Fantasy. And after the box office success of John Milius' Conan, a horde of muscle bound heroes stormed movie theaters and video store aisles. Their names were Ator, Yor, Gunan, Thor, Hundra, Dar... and these illegitimate children of the Cimmerian were to participate in the construction of a singular heroic figure, a brutal, unmodern and delightfully anachronistic character: the barbarian.

In the U.S., legendary producer Roger Corman, often referred to as the Pope of B-movies, jumped into the breach, taking advantage of the situation to relocate production of his Conan rip-offs to South America. In Italy, where the art of the counter-attack and the retort to Hollywood blockbusters has become a specialty, Conan is also a source of ideas. Joe d'Amato, Lucio Fulci, Ruggero Deodato and Tonino Ricci explored the genre, while Luigi Cozzi rode the wave, revisiting the 12 labors of Hercules with the Hulk himself. Even Turkey got in on the act with Altar. The barbarian international league was born, and went so far as to colonize children's imaginations with a line of toys with a surprisingly adult spirit: Masters of the Universe.

This brief and little-documented cinematic trend is often referred to as Conansploitation. Barbarians, from Conan to He-Man looks back at this curious phenomenon in 256 large and richly illustrated pages. Discover the production and shooting secrets behind the best and worst movies of the genre: the four cinematic adventures of Ator, the Italian barbarian, or the Deathstalker saga; plunge into the marvellous universe of Beastmaster or Yor, the Hunter From the Future. Have fun with the genre's clichés in the graphics chapter: "The art of being a barbarian", and discover what separates Conansploitation from the original work of Robert E. Howard, the father of Conan, thanks to an interview with Patrice Louinet, one of the greatest Conan specialists and translators (who also translated the book into English).

Claude Gaillard is a French author specializing in popular culture and cinema. He has published (sometimes under a pseudonym) numerous books with Huginn & Muninn/Dargaud, Vents d'Ouest/Glénat, Omake Books and Pulse Edition. Published in 2022, his After the World Ends, devoted to post-apocalyptic cinema, has become a reference work for a wide readership, from the US to Australia, to Norway, Sweden and Finland.